Showing posts with label Industry Insights. Show all posts
Showing posts with label Industry Insights. Show all posts

Tuesday, 20 March 2012

Hong Kong Sevens and HSBC: It's gonna be wild!

The Hong Kong Sevens is upon us, and with it all the fanfare and paegentry we've come to expect from Rugby's most colourful showpiece.
HSBC is celebrating its partnership with the tournament with a lively commercial called "Fancy Dress Street Rugby".  The ad reflects the popular trend of spectators to wear outlandish outfits to the tournament and to peform in a decidedly unorthodox way too.  A range of in-stadium films (as yet not available on YouTube) will keep fans entertained for the duration of the tournament.

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Andrew Newman, Group Head of Marketing at HSBC said:  "Our serious play campaign represents the seriousness of the sport and the fun of the tournament"

I love this whole concept.  It's picked up on an obvious tradition which quite obviously belongs to the fans - and has taken it to a new level.  Good Stuff HSBC!

Are some things just too big to sponsor? Olympic spotlight

Are some spectacles just too big to sponsor?  It’s an intriguing question and I am reminded of Snapples’ attempt to Sponsor New York City.  Though there was some overlap between the fruity benefits of the iced tea and the “Big Apple” nickname, the partnership was tenuous to say the least and ultimately didn’t go the distance.
Does the same thing apply to the Olympics?  Besides the usual big hitters Visa, McDonalds, Coke, General Electric et al, a host of smaller brands are jostling to get a piece of the action.  How many, however, are really reaping the rewards?  How many really belong there?
Schweppes – too small a fish in too big a pond
While in London recently, I bought a bottle of Schweppes water from a vending machine and was surprised to see that the brand is official bottled water supplier to the games.  By way of activation, Schweppes was spending behind its “Schwimfree” promotion -  offering consumers a free swim with every purchase in any of the participating pools in the UK.  The idea is nice but given the timing (mid winter) it all seemed a bit misplaced.
Schweppes

Nike vs. Adidas – Who’s Winning?
A recent article by Sponsorship expert Chris Reed in Brand Republic is an uncomfortable read for sponsors.  In it, he cites a recent study by digital agency Jam which claims that Nike is by far the most associated brand with the games – way ahead of Adidas which is an official footwear partner.  (By the way, did you know that medal winners who compete in Nike footwear will not be allowed to wear their shoes on the podium?  The restriction has to do with the fact that medal-winners have to don their team Adidas uniforms on the podium regardless of whether they are individually sponsored by Nike).  More about the tension here
According to Jam, Nike is dominating online conversations about the games at a level of 7.7% while Adidas is only tracking at a measly 0.49%.  According to Reed, “that’s 1500% more association Nike is gaining by not being a sponsor that the official sponsor is getting”.
As usual, Nike is up to its infiltrating best.  In January of 2012, it launched its #makeitcount campaign featuring heavyweights Paula Radcliffe, Rio Ferdinand and cyclist Mark Cavendish.  The campaign clearly communicates the blood, sweat and tears needed to compete and win at a top athletic event.  The real magic of the campaign is that every featured athlete has competed in previous games so there is a strong though informal association with the event.
Here’s a flavour of the Nike work
Adidas on the other hand has launched its “About to Blow” campaign which is steeped in its rap heritage but is fairly limp relative to the Nike work. 
For me, Nike’s ascendancy almost always comes down to the fact that it sits out major event partnerships and focuses on its endorsements.  Let’s face it, the real value lies in the excellence of the individual athletes and not really in the games themselves.  Then there’s Nike’s brilliance in the digital realm.  A previous post showed that while Nike’s spend is increasing, its reliance on traditional channels is being held in tension with the growing influence of digital technologies.  In short, Nike is not a big fan of “crutch” spending.  It’s “disadvantage” relative to the official sponsor is actually its greatest strength.
Take its Nike+ Fuel Band digital application, launched to coincide with the advent of the Summer Olympics.  The online app, linked to a hi-tec bracelet, tracks a person’s physical activity and lets the user set personal fitness goals.  These in turn can be shared as “Nike Fuel” with friends and competitors on any of the social networks they happen to be a part of.
Here are two videos which illustrate the concept
Nike’s killer thrust in terms of its Olympics ambush bid has been the opening of the retail leg of Fuelband – a retail experience known as Nike + Fuelstation.  Built with the tech-athlete in mind, the store isn’t just an opportunity to stock up on the latest running gear.  Its interactive features include a massive, motion sensitive digital wall which captures one’s movements and turns them into futuristic art.  iPads at point of sale enable quick browsing form information on the latest equipment as well as the opportunity to join Nike+ Run Clubs all over London.
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Shoppers don’t know who Olympics sponsors are
According to Charlie Wright of “The Grocer”, a new poll indicates that the majority of British shoppers are unable to name a single commercial partner of the Olympics. “Just 4% of an Ipsos MORI study were able to identify Cadbury as an Olympic sponsor.  Coca Cola and McDonalds, both long term partners of the games, top scored but were still named by only 11% of those polled”.  According to Milorad Adjer of Ipsos Reputation Centre, brands are still not spending enough to build awareness of their sponsorships.  I must say, I find this surprising to say the least.  We’ve looked in detail at Cadbury’s plans – to say nothing of the even bigger hitters like Coke – and I would have said that levels of spend were about right.
... activists are as er...active as ever...
Perhaps more concerning was that nearly 75% of those polled, said sponsorship made no difference to their perception of a company although another study by Havas Sports and Enertainment says that petroleum giant BP is benefitting from its sponsorship efforts.  According to The Guardian however, London 2012 chiefs have been harshly criticised for allowing entry to BP as the games’ official “Carbon offset partner” (incongruous when you consider what went on in the Gulf of Mexico last year).  In an open letter to the IOC, environmentalists say the organisers have failed to consider the broader ethical and environmental impacts of potential sponsors.  It’s not the only outburst from angry activists.  Dow Chemicals’ bid to wrap the official Olympic stadium has been met with howls of indignation in the wake of the company’s acquisition of Union Carbide, the business responsible for the lethal Bhopal gas leak in the 1980s
Proctor and Gamble – Doing it right?
One company that seems to be approaching the games with the ambition needed to make its mark is Proctor and Gamble.  As “proud sponsor of Moms” (and not the games) the company’s “Thank you Mum” spans its entire product range and as such, may have the critical mass to really move the dial.  This weekend, the campaign shifted into high gear in the UK with British Olympians saying “Thank You” to their Mums to mark “Mothering Sunday”.
According to the Wall St Journal, the company has also initiated a partnership with the office of the London Mayor to clean up the City so as to make a “shining impression” with visitors.  Over the next three months, a series of “clean up” events will bring Londoners together to spruce up neglected areas of the city.  The initiative, championed by the Mayor himself and celebrity Keeley Hawes, will focus on getting rid of graffiti, picking up litter and on the refreshment and restoration of the City’s natural habitats.  Some of the company’s most recognised brands – Febreeze, Ariel, Flash are behind the initiative.  More information here
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P&G will also sponsor 150 athletes (e.g. Michael Phelps, Roger Federer and Paula Radcliffe).  The campaign will also include donations to help Youth sports organisations around the world.  The company is also sponsoring athletes at a product level. Pampers, for example, is partnering with Beach Volleyball Gold Medallist Kerri Walsh, a mother of three.  The company has even gone so far as to launch a limited edition “TEAM USA” diapers and wipes – encouraging little ones to “explore and conquer their world through play, while also amping up team pride”.
Perhaps the Killer Thrust of P&G’s campaign is their official partnership with the Chinese Olympic team.  With the support of athletes and the Chinese Olympic Committee, the company hopes to create a national movement around the central idea of “thanking mum”.
This isn't the last time we will be looking at sponsorship and the olympics.  But it suffices to say that unless you plan to spend big around a multiplicity of activities and touchpoints (something P&G are dong well) your brand is unlikely to touch sides.  Nike also shows that sometimes it pays to be an underdog - its tactics always seem to have a sufficiently overt link to the spectacle but play on just the right side of the ambush marketing laws.

Wednesday, 29 February 2012

Super Bowl 46 - Deep Dive Pt 2

Would any commentary on a modern day sporting spectacle be complete without a word on digital and social media?  Here is a collection of thoughts and observations from Super Bowl 46.
NFL's Social Media Command Centre

The NFL is taking the information super-highway seriously.  In a perfect world, "Playing Social" should have more to do with listening than it does with actually saying anything.
To this end, Super Bowl 46 saw the event's first "Social Media Command Centre" - a fully staffed listening room in downtown Indianapolis which not only listened to what was being said on digital online networks but who was saying it and where they were saying it from.

Invite

The technology helped keep a finger on the pulse of how the event was progressing, providing sentiment measures from the massive audience and enabling a team of 50 volunteers to respond in real time to anything which might contribute to negative PR. The team also helped provide practical information on such important issues as parking, traffic congestion in addition to being fully briefed on disaster control procedures.

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Incidentally, this is not the first time we've seen command centres of this sort.  Gatorade's "Mission Control", established in 2010, is a great prototypical example.
Related Links to this topic here and here.  Here and Here
Spark:  How could your brand use such a tactic to facilitate fans experience of a major event?

The first Legal Live-Streaming of the Super Bowl
Over 2.1m fans were able to watch the game on something other than a conventional television set.  While this is insignificant relative to the total television audience of 113m people, it set an online record for viewership of online sporting streams.  Naturally, fans watching in this way were not exposed to even half the entertainment that conventional viewers saw.  For example, ads could only be watched after they'd aired on the "big" screen (and then only via "opt-in") and Madonna's half time show was completely absent.  Note, the live-stream was only available in North America because NBC's broadcast rights do not extend much further than that.
Related links here and here
Spark:  A few months ago we looked at how Budweiser was sponsorsing the Youtube viewing of first round FA cup games.  Is there space for a big brand like Castle to facilitate something like this?

The rise and rise of the "second screen"
I've written much in the past about how the modern fan's game experience is greatly enhanced by the simultaneous use of a digital device while watching.  This might involve accessing a Twitter stream on a mobile phone or even joining a Social TV channel like Shazam on a tablet device or laptop computer.  So important is this trend that it has finally been given it's own name ("second screen") and a formal definition which, since it strikes me as being too complicated, I have re-stated as follows:  
Second Screen can refer to any any class of technology which a fan access to interact with richer or more interacive content than the stuff s/he is watching on a conventional TV broadcast.
I have already remarked in an earlier post how Pepsi made good tactical use of Social TV to drive the entertainment factor for viewers.

Runaway growth in social commentary compared to Super Bowl 45
This insert from Bluefin really says it all

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Related link here
The watching and re-watching of ads - thanks to digital
I remarked in Part 1 that the notion of only flighting an ad during the match itself is more or less absurd today given the widespread use of digital platforms to seed ads before-hand.  While I believe this dynamic is a crutch to advertisers - and on a long enough timline will rob us of some epic ads - a study by Venables Bell and Partners revealed some staggering stats which show just how much sharing actually goes on.
  • 1 in 5 Americans will seek out an ad prior to the big game
  • 48 million plan to re-watch an ad online after the game
  • 40 million plan to share their favourite ads using digital technology
This handy infographic is a useful eye-dent
Venables

Saturday, 25 February 2012

Super Bowl 46 - Deep Dive Pt I

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Super Bowl XLVI is all over bar the shouting and as usual, it came with as much bluster and swagger as the last one, if not more.
Though I generally resent the hyperinflated opinion which American sports has of itself, we can always learn from the way brands behave within this context.
I was particularly enlightened by an article written by Pepsi's VP of Digital Marketing Shiv Singh who identified 3 levels at which Pepsi approaches its activation of the Super Bowl.  The Super Bowl, he says, is a "multi-dimensional, multi-platform, month-long engagement opportunity for fans with a complexity that is unmatched".  
Hence, the brand team sought a presence at three important levels:  Game level, Game Level "plus 1" and at the broader Super Bowl experiential (entertainment) level.
I find this a very useful model not just to analyse brand activity at the Super Bowl but as a possible model for framing and planning how we leverage our own properties.

Levels
Here are a few examples of how the above applied in the context of Super Bowl 46.
Level 1 - the Game
This is the Super Bowl of old - the elegant minimalism of flighting a 30' TVC somewhere within the Super Bowl - and paying circa $3.5m for the privilege.  This is the world which led to such magnifcence as Apple's "1984", Budweiser's "Whassup?" and Coke's "Mean Joe Green" adverts.  Painfully few brands adhere to this approach anymore - in fact, it would seem that Groupon was the last to do so in 2011 at Super Bowl 45.  I long for these days because they forced advertisers to get it right first time. It was the ultimate "hail mary pass".  Nowadays, advertisers can settle for a less than perfect ad - and use social media as a crutch to prop up the eyeballs both ahead of the game and in its aftermath.  It feels like a bit of a cop-out to me.  
Another tactic at this level is to contend for top spot in as many of the Super Bowl Ad Meters as possible - (and there are many).  Of course, many of these come down to popular vote so not surprisingly, the Doritos crowd-sourced ad "flying baby" came up trumps...a great example of sponsored entertainment if ever there was one.
Interestingly, the most robust take on Super Bowl ad effectiveness comes from the Kellogg School of Management who judged that M&Ms ad was "attention getting, well branded and memorable".  I agree.  The Kellogg Super Bowl report is always worth a read so make sure you click the hyperlink.  Here's the M&Ms ad
By the way, if you want to see ALL the ads, click here
Level 2 - Game "plus 1"
This level operates in the knowledge - rightly so - that the conversation about the Super Bowl (and particularly its advertisements) begins weeks in advance of the big showdown and probably only ends a week or so after the trophy has been lifted.  Tactics which take place at this level include:
  • Using digital channels to seed an ad - or more likely some teaser for it - at least a week in advance of the game.  This year, 20+ ads were seeded in this way.  One example was Volkswagen who seeded an ad called "The Bark Side" as a precursor to a pretty lame but oh-so-cute ad on game-day. Here it is:
And here is the matchday version which stuck with the theme of dogs but whose final seconds bore a really disjointed and cryptic allusion to last year's Darth Vader ad.  In my view, it's all horribly too-clever-by-half.
  • A second tactic sees the advertiser developing a culturally significant tone which, because of current affairs/events, stretches way beyond the event itself and ignites conversation which outlasts it.  Chrysler has been doing this for two years now, probably as a means of kissing Obama's backside for bailing the company out when recession hit.  This year their 2 minute spectacular ad featured Clint Eastwood and was tonally more or less the same as last year's one featuring Eminem.  Both ads make a pretty big stand for Detroit but, at least in my view, go no way towards building any of the Chrysler sub-brands
  • Another tactic has been to use the Super Bowl as a means for a massive promotional drive e.g. to win tickets to the big game or to have privilged access to its various sideshows.  A good example of this was Visa's Super Bowl sweepstakes
Level 3 - The entertainment Level
This level is seldom exclusive from the other two levels.  In fact it is best that all three are integrated into one mothership of activity.  Pepsi itself, even though I despise the brand's schmaltzy approach to advertising, best exemplifies this approach.
At Game level, the brand ran an ad featuring X-Factor winner Melanie Armano and Sir Elton John.
At "game plus 1 level" - consumers could not only watch the ad on YouTube (including "making of" permutations) but they could also download the  soundtrack from digital music platform Shazam.
At level 3, the entertainment level, consumers in the United States could gain access to the world's first social TV channel owned by Pepsi called Pepsi Sound-Off.  Here, whilst literally watching the game on television, consumers could immerse in a rich "second screen" experience which featured celebrity hosts and a variety of dynamic content.  Not only this, Pepsi also partnered with personalised internet radio service Pandora in order to provide a branded soundtrack for those hosting Super Bowl parties in their homes.
Application
As I said in the opening paragraph, I really like this 3 level approach as a framework for thinking and believe we need to seriously interrogate its application for our major sponsorship properties.

Monday, 20 February 2012

Nike's new marketing mojo

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via management.fortune.cnn.com - Click on the link to read
Nike has always been a leader in it's field and has never taken this position for granted. This excellent article from Fortune Magazine, looks at a company in rapid transition. Here are a few important appetisers:
  1. Nike's spending on TV and Print Advertising has dropped 40% in 3 years even as the total marketing budget has climbed to $2.4 billion
  2. "Gone is the reliance on top-down campaigns..." - Nike is taking big, bold moves in the digital space and is not afraid to fail (regularly!)
  3. The company seems to have taken a page out of Apple's playbook when it comes to ingenuity. From the new performance tracking Nike Fuel-Band to 2010s audacious 30 story billboard in downtown Johannesburg to commercials shot by Oscar-nominated directors. 

Wednesday, 15 February 2012

Outstanding look at how digital is changing the fan's stadium experience

I have blogged incessantly about the intersection of digital technology and the fan's experience of the game. This video, sourced of Forbes' YouTube Channel, is an outstanding insight into this trend - and its importance for marketers.  I can strongly recommend that you watch this and identify as many ways as possible in which your brand can facilitate fan experience by infilitratiing these technological touchpoints
An interesting build on this comes from Michael Cunnah of iSportConnect.  In "The Key Ingredients of a World class Stadium", he outlines the essential elements, some of which appear below:
  1. ENTERTAINMENT - particularly insofar as the "second screen" of the smartphone is concerned. How can stadia offer brilliant and personalised experiences to fans through this medium? Replays, networking with friends, ordering food and drink, betting and responding to competitions are just a few of the services that could be offered.
  2. COMFORT - this one is a no brainer - however, it presents unique opportunites not just to stadia but to brands looking to provide elite experiences to loyal users (see any O2 activities)
  3. COMMERCIAL - the provision of unique media forms which allow sponsors to stream their content to specific groups in the crowd
  4. FLEXIBILITY - being able to host a variety of events and hence appeal to a variety of interest groups.  This makes the venue more attractive to sponsors.

Thursday, 9 February 2012

Unilever enters the sponsorship Big League

It seems that Unilever is starting to take Sponsorship seriously. And in the strangest place possible - Formula 1 racing.  Traditionally consumer brands (unlike with Nascar) have steered clear of sponsoring F1 teams, believing it not to be an effective vehicle for communication.  
However, as The Globe and Mail point out, while the sport is "notoriously expensive", its global reach is undeniable - particularly its appeal in developing markets like India, China and Asia.  Further, the sport "eclipses all other sports in terms of television ratings, including World Cup soccer and the Olympic games".

Perhaps this was the motivaiton last week when brands Rexona deodorant and Clear shampoo sealed a significant deal with Lotus for the 2012 season.  Both brands will have a pominent space not only on the overalls of drivers Raikkonen and Grosjean but on their cars too.

My take on what's behind it is that the recent emphasis on ROI has shown that sponsorship is a safer and more scalable bet than once off activations which struggle to gain reach and traction. This seems to be borne out in a recent post by Media Daily News which says that while sponsorship "lost steam" as a marketing tool in 2011, it still continued to outpace advertising growth.  "This is fairly typical when marketers turn conservative during economic turmoil" wrote Joe Mandese.

Pablo Gazzera, global VP of Rexona said he felt the fit was excellent for his brand which stands for passion, ambition and excellence in performance.

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Picture courtesy of www.sportspromagazine.com

Monday, 23 January 2012

The Politics of Sponsorships

In a series of recent posts, Brandchannel tackled the subject of "Sponsorship Politics" saying that more and more evidence is emerging of fans actively rejecting brands that sponsor a rival team.
It's particularly rife in football says contributor Mark J. Miller where, as far back as 1996, Kevin Keegan's appearance in a Sugar Puff/Newcastle United ad caused Sunderland fans to "spurn the cereal in droves".  Although a local phenomenon, the desertion had a marked effect on Sugar Puff sales in that part of the UK.
Here's the offending ad that did it - (apart from being infamous, it's also pretty crap)

There's even a story which broke in The National, that middle eastern fans of Manchester United once refused to board an Etihad Airlines flight because of its sponsorship of Manchester City.
Some teams will go to extraordinary lengths to avoid this problem - like Rangers and Celtic who have the same shirt sponsor to avoid antagonising fans on either side.
I guess football is one of those fiercely tribal sports which is so much part of a fans' life that he can't accept the dilution of loyalties to his team by supporting a brand which sponsors a rival.

Digital Spotlight

In case you haven’t heard me say it before – the marriage of Sports and Social Media is a union made in Heaven.  In a recent post, David Taylor of the Brandgym said that “social is unimportant for 99% of brands”.  No one would refute that Sports is in the 1% of phenomenon that has “social” well and truly baked in.  That presumably goes for most – but not all – of the brands that sponsor sporting properties or who are involved in sporting partnerships.

In this month’s deep dive, we continue to look at the innovative ways in which digital technologies are being used not only to enhance the existing social vector of sports but to introduce new aspects to the experience too.

See it all as evidence of the “gathering” storm soon to break in SA.

Earlier this month, we noted the fine efforts of the AFL in using digital tracking technology to create "art" out of a player’s on-field movements.  We also looked at how Bud Light has fan-sourced reporting for both Major League Baseball and for the upcoming Super Bowl.  For more information click here and here.

The London 2012 Summer Olympics are likely to be the most digitally driven spectacle yet.  Mashable reports that London is to soon install Europe’s biggest Wi-Fi Zone to power the fan experience of the games.  In a press release, mobile service provider O2 said the free service was the result of a deal struck between itself, the Westminster City Council and the Royal Borough of Kensington and Chelsea.

“We want to ensure that the millions of visitors that come to the city have the best experience possible and can make the most of what the city has to offer”, an O2 spokesman said.
Said a City Councillor:  “the free Wi-Fi will allow tourists to be able to more easily share pictures and status updates from the games on their social networks”
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Picture courtesy of Mashable
The power of Twitter to fuel sporting conversations continues unabated, in spite of the obvious threat which new social networks like G+ are posing.  Manchester City has decided to start broadcasting fan tweets from around the world on the big screen at home games.  All tweets accompanied with the hashtag #blueview will be picked up by the stadium webteam, presumably vetted and then if suitable, streamed for all in the stadium to see.  (Incidentally, Man City is also the first Premiership team to sign a YouTube
 content deal.  For more information click here).
In College Football, Mashable reports that Mississippi State University is to paint its team hashtag (and team rallying cry) #hailstate in the northern end zone of the home ground.  Traditionally this space is dedicated to the school’s mascot or coat of arms so this departure from convention is creating a real buzz.  As one commentator said:  “it’s a great way to involve social media at the game, and to TV viewers it’s going to stir up some emotions between fans of both teams”
A final footnote which tesifies to Twitter's phenomenal popularlity involves the intergalactically famous Denver Bronco quarterback Tim Tebow.  When the player completed a successful 80 yard touchdown pass in overtime to win against against  the Steelers, tweets relating to him peaked at 9420 per second.  This places the match into the second most tweeted about events in the history of the platform - surpassing such momentous events as the death of Bin Laden, the passing of Steve Jobs and the Japan Tsunami of 2011.
In South America, ViralBlog reports of how Mexican soccer team Jaguares will soon be replacing player names with the player’s twitter handle.  This is not the first club to do this however.  Earlier in 2011 Valencia slapped Twitter handles on team Jerseys and the club’s twitter following leaped exponentially.
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Tim Tebow

Meanwhile, digital-football.com is calling 2012 “the year of the pitch-side reporter” saying that the year won’t be as much about the digital platforms that are used by teams, marketers and sporting bodies but about the people behind them. 

“Anyone who follows Social Media and Sports in the US will already be familiar with this role and completely understand what it entails.  But for the rest of us across the Atlantic, it’s still a job title that doesn’t particularly mean anything else other than ‘junior journalist’.  Wrong.”
The site identifies 4 essential disciplines of pitch-side reporters:

Micro Journalism:  Lively reportage on the game.  What’s the score?  What’s the atmosphere like?  It might be a live blog on a website (the type we saw on the RWC 2012 page during the tournament) or simply a stream of tweets.

Live content creation:  provide a bridge between the fans who actually have tickets and those who don’t.  This means picking up engaging content – e.g. half time interviews recorded on a Smartphone, sideline antics or celebrations – and streaming it in real-time.

Life content curation: pitchside reporters will have not just have to create content but keep an eye on what is being said online e.g. they might bring in tweets/updates into their own feed, collate photos and videos of match moments which fans are sending from their various vantage points in the stadium.  A great example, shared by sports marketing expert Brian Gainor, is a (BRILLIANT) fan video of the San Francisco 49ers winning touchdown against the New Orleans saints.  The footage was clearly taken on a high quality Smartphone and as such, was good enough to share with a broader audience.  Look at the fan celebration!
Fly on the wall reportage:  Sports is a phenomenon of thousands of different moments which traditional broadcasters tend not to pick up.  The pitchside reporter has access to the small moments that make the spectacle so absorbing.  A star’s warm up routine.  The tunnel.  The warm-up room.  The physio’s room.  Even the changeroom.

Indeed, it sounds like a huge role but experience is showing that it is often delivered through a frontline team with each member carrying a particular set of responsibilities.  (See my earlier deep dive into the NBA as well as Dan Brooks' excellent analysis of how the NHL is using social media in this regard).  The key point is that the role of pitchside reporter is not something that gets handed out to juniors or interns - it requires a thorough briefing and a lot of experience, not just with the digital platform in question but with the sport itself.
There's probably a lot to take out of this post but here are the essential points and actions:


  • Any team or brand in SA that is not considering how to maximise the social component of their brand/team or sport using digital technologies is going to fall behind.
  • Look at your brand as well as its partners - spend some time "smashing" both brand and partnership to find out how many "touch points" can be optimised with digital media.
  • Include these touchpoints in negotiations with your partners
  • Start a conversation within your business about developing a frontline team of trained, passionate "pitchside"/stadium/event reporters - (whether it is a full time, company owned unit or one sourced through a 3rd party is not the point) - to help drive your sponsorship objectives
  • Just Do It!

Tuesday, 10 January 2012

Cadbury's Spots vs. Stripes aims to get England playing again

Further to Cadbury's "Pump up Great Britain" activation, the brand also seeks to get England playing ahead of the 2012 Olympics.
The "Spots vs. Stripes" campaign is designed to boost Britain's community spirit, get people to respect one another and to bringing a feel-good "spirit of play" to the nation ahead of the games.
The idea is fairly simple:  get people to join one of two teams (er...Spots or Stripes) - and then encourage them to compete in any game they want ranging from golf to tiddlywinks, building up to national totals online for each side.  
The integrated effort comes with a 50 million GBP price tag and includes (most notably):
Television:



A Limited edition Challenge Bar (as well as Limited Edition Wenlock and Mandeville Bars)


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Separate facebook pages for both the Spots and the Stripes - in case you're interested, the Spots have circa 40 000 more fans than the Stripes.
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Digital - of course - (Twitter, Facebook, YouTube and Microsite)
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Print
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 I like this initiative and think it's feel-good social message will go down well with consumers.  Moreover, it seems to be resonating far more powerfully with consumers than the "Pump up Great Britain" piece alluded to in an earlier blog.  However, how will it play out (NPI!) on a national scale?  The implementation plan must be keeping the brand team awake at night!

Friday, 18 November 2011

Monday, 14 November 2011

Red Bull provides a Fan with an unforgettable experience

Red Bull is seriously in the business of providing fans with unforgettable experiences.  And football is no exception.  In this video, Justin, a 24 year old soccer fan from New Jersey, gets to go 1 on 1 with International football legend and New York Red Bulls All-Star - Thierry Henry
Where could this be used?
I believe this could be a powerful build-in to the Carling Be The Coach activation.  While the promotion puts fans in the driving seat insofar as team make-up and coaching decisions are concerned - an idea like this could invite fans to "put their money where their mouth is"  by pitting their skills against their favourite Chiefs/Pirates player - not to mention the opportinity of spending time with their heroes.

Sunday, 13 November 2011

Adidas urges All Black Fans to "Stand In Black"

After the catastrophic events surrounding the pricing of fan jerseys in New Zealand, Adidas attempted to claw back some goodwill with a national call to "Stand in Black".  The following video, projected onto to Auckland's St James Theatre, incorporated video posts from AB fans all over the world.

Tuesday, 8 November 2011

20 years on, Heineken continues to consolidate ownership of World Cup Rugby

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Heineken is extending its status as official beer supplier and worldwide partner of the Rugby World cup to the 2015 version scheduled to take place in England
This extension brings the brand's investment in Woirld Cup Rugby to more than 100m pounds over a 20 yera period.  rights include access to all Rugby World Cup 2015 event marks, promotional tie-ins, pouring rights and most digital content rights to use across social media channels.
"Part of the strategy is to concentrate on fewer and higher quality properties to get the maximum benefit from our investments" said a Heineken official
In 2011, Heineken's "This is the Game campaign included digital content featureing rugby legends Will Carling, Zinzan Brooke, Matt Burke, Scott Quinnell and Rob Henderson along with entertainment and sporting celebs such as Stephen Fry and Rio Ferdinand
Fans have been able to engage with the content across Heineken's digital platforms on YouTube, Facebook and Twitter
Heineken hopes to build on the digital foundations of the 2011 activity to further engage with the growing rugby audicne in the 2015 tournament.

Friday, 7 October 2011

Slide Show: The 10 Most Valuable Sports Team Brands

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This really shows how powerful American sports is!

Related Links: Super Bowl, Yankees and Tiger Wood Lead Forbes Top Sports Franchises

Tiger Woods Takes Major Step on the Corporate Sponsor Comeback Trail

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So Tiger's on his way back - interesting to note that one of the first sponsors to drop him is taking him back. According to the Wall St Journal, "Sports marketing experts say that Rolex is most likely getting Woods for millions less than he would have commanded when he was at the top of his game"